千年蜂皇

导演：朱拉·亚库比斯克 

主演：约瑟夫·克罗纳,斯特凡·克维季克,Michal,Docolomansky

类型：喜剧片地区：捷克斯洛伐克,西德,奥地利年份：1983

简介：

这部雄心勃勃的作品展现了一个乡村家庭在第一次世界大战前、战中和战后30年间的生活，导演尤拉伊·雅库比斯科（Juraj Jakubisko）或许在每一棵树的美丽中都迷失了树林的轮廓。第一部分聚焦于一位年长的泥瓦匠兼养蜂人的跌宕起伏和感性生活；第二部分则聚焦于他的儿子们以及他们在家族面粉厂、政治和第一次世界大战中所扮演的角色。

潇洒上枝头

导演：朱拉·亚库比斯克 

主演：波莱克·波利夫卡,Borek,Dlouhy,Ivan,Drozdy,Judita,Durdiaková,Zita,Furková,Adela,Gáborová,Stanislav,Hodos,迪娜·霍瓦索瓦,Markéta,Hrubesová,Erik,Jamrich,Ján,Króner,Jr.,Nora,Kuzelová,斯特凡·克维季克,米罗斯拉夫·马哈切克,Ján,Melkovic,Ján,Mildner,Stefan,Misovic,Milada,Ondrasíková,奥德·帕夫尔卡,威廉·波

类型：喜剧片地区：其它年份：1989

简介：马戏团演员帕比与士兵倍明朗哥自战场回归后发现他们的家己面目全非，二人于是结伴而行；他们在帕比所偷的脚踏车上发现珠宝，与犹太麦面包师的女儿艾丝特快乐地生活在一起，艾丝特产下一女后，却因帕比所偷的珠宝而被窃贼所杀，帕与倍也因私藏珠宝而下狱…………

德拉克的回归

导演：爱德华·格莱纳 

主演：拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach

类型：剧情片地区：其它年份：1968

简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).……